The Colour | Newsletter | Lab | Community

The Colour | Newsletter | Lab | Community

Milky Light

The Joys of Not Quite Seeing

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Toronto Ink Company
Jan 25, 2026
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"White paint is my marble," —Cy Twombly

“A gray day provides the best light.” ~ Leonardo da Vinci

It started yesterday from just a few skitterings from the nothing blue-white sky. Then this wild democracy of flakes. Safely inside and watching the extreme heat of the Australian Open I am okay. Unthreatened I’m lucky to see the inspiration in this whiteout. And anyway its less the snow and more the blurring that I have been thinking about. All sorts of fogginess.

A day where you can barely see in front of you says look harder. Haze doesn’t just cover over it also blurs hierarchy gently erasing the binaries of light and dark. Its soft invitation is the peace of not quite knowing. It is winter thick with fog. You rub your eyes, shiver, look closer. You are alive in this looking. But you won’t quite get it. Nothing is going to be illuminated in this luminous grey. This sort of dustiness has no end-state it is all becoming. Chalk with it millions years of sleeping sea-shelled creatures compacted into glittering white does this. Dusty hazy watery inks do this. A day without a skyline offers this. This gift.

lade Runner 2049 (Denis Villeneuve, 2017)
Silent Hill (Thanks Lux)
Cy Twombly, 1971Nini’s Painting [Rome]
J. M. W. Turner Vignette: Study of a Ship in a Storm. c 1826-36
Mine
Robert Ryman Untitled 1965

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The Bus Shelter on my walk the other day
Fog installation by Fujiko Nakaya As the daughter of Ukichiro Nakaya, the glaciology physicist credited with inventing artificial snowflakes, her lifelong goal, like her father, is to instil a sense of wonder into our everyday experiences of the environment
Giorgio Morandi Natura morta 1961

Robert Rauschenberg Untitled (Pegasus), 1991 Solvent transfer and graphite on rice paper
Saul Leiter Snow 1960
Saul Leiter Jean Pierson ca. 1950–1959
James Abbott McNeill Whistler Nocturne in Grey and Gold, Chelsea Snow - 1943.
Heeduk Ra, translated by Won-Chung Kim and Christopher Merrill

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